Through the ey /# e@s $/of a y,+oung girl ?-uprooted fro.)m Yugoslavia ?to# Denmark, we watch a fa-,mily naviga?:te a - `@ne-w_ world `a] :nd re\build their li` ves while h oldi!ng on to( .-what the_y left behind. ](Home spea!ks to belo *nging , !sa =-c]\rifice and* the gen]^ er$ at%:%io*]-ns shap ed by displaceme!_+\+n``t. M/,aja (is six years ol)+d wh!en mo #$st of her fa mily moves from ?+=%the Y; \ugosla)v SFR to D,enmark %^, leaving :[her (.tw,o brothers behind for the time be^ing, waiting(_^ to f`])oll*@ow the rest to the promised lan*@d. Denmark p\@ro ves t@]o b(e far . from the welc=oming haven the.;y ima^ g;-ined. The r/ e ;is a new language to learn,=\ new!? cust ^.oms to navigate, ne[w ))sk\/ies $to ,$unders[$tand. ] Di*;d they re:@_ally want to stay? Maja grow^ s up;) $ in Den mar/k_, builds $ /\ a life an-;d a career t* /here as an artist, ye] .t she c -anno?:/t forge`t all that @her $; pa-;*re?n :ts lef$)t behind -.(.-% [ [ Actress+-t(=urn _ed-di- %#/rector Mar#i $j?ana Janković was t/:he s@.:\ a !me )#?.age.! as Maj/a` whe\` n her own family le$+ ft Ivangrad (today Ber: ]a ne) for the$; #-E_/urop_ean no #rth, and that is onl!;y the most su = -perficial similar/i\, ty bet :)ween $. _t#he two.+ As two of her l ?=eading me: n, fellow Ivang!.-radian Deja=n Čukić an`:]%d_ Osijek ’s o )ne _!and only Zlatk. -/o Buri! ++ć, will s(urely know, t?:he ]$$deta ils of Maja’ (:s o r Ma=rijana’s story)@ may)] be spe_cific, bu=)t the larger flow of thi_`ngs has rem (^ai,#ned th;e same acr;oss generat!ion=s ^`and \/count =ries of origin.